Editorial Advisory
Board:

Cultographies’ 111 Best Cult Films Ever

2001, A Space Odyssey
(Kubrick, 1968)

37.2 Le Matin
(Beineix, 1985)

Aguirre, der Zorn Gottes
(Herzog, 1972)

Akira
(Otomo, 1988)

Apocalypse Now
(Coppola, 1979)

Back to the Future
(Zemeckis, 1985)

Bad Taste
(Jackson, 1987)

Baise-moi
(Despentes / Trinh-Ha, 2000)

Barbarella
(Vadim, 1968)

Behind the Green Door
(Mitchell Brothers, 1973)

The Big Lebowski
(Coen Brothers, 1998)

Blade Runner
(Scott, 1982)

The Blues
Brothers
(Landis, 1980)

Das Boot
(Petersen, 1981)

Brazil
(Gilliam, 1984)

The Breakfast
Club
(Hughes, 1984)

Bride of
Frankenstein
(Whale, 1935)

Bringing Up Baby
(Hawks, 1938)

The Cabinet of
Dr. Caligari
(Wiene, 1919)

Cannibal
Holocaust
(Deodato, 1979)

Casablanca
(Curtiz, 1942)

Un chien andalou
(Bunuel/Dali, 1929)

Citizen Kane
(Welles, 1941)

Daughters of Darkness
(Kumel, 1971)

Dawn of the Dead
(Romero, 1978)

Donnie Darko
(Kelly, 2001)

Easy Rider
(Hopper/Fonda, 1969)

Edward
Scissorhands
(Burton, 1991)

El Topo
(Jodorowsky, 1970)

Emmanuelle
(Jaeckin, 1973)

Empire
(Warhol, 1964)

Enter the Dragon
(Clouse, 1973)

Eraserhead
(Lynch, 1977)

Evil Dead
(Raimi, 1983)

Faster Pussycat
Kill Kill
(Meyer, 1965)

Fight Club
(Fincher, 1999)

Five Deadly
Venoms
(Chang, 1978)

Flaming Creatures
(Smith, 1963)

Forbidden Planet
(Wilcox, 1957)

Freaks
(Browning, 1932)

Gimme Shelter
(Maysles Brothers, 1970)

Ginger Snaps
(Fawcett, 2000)

Godzilla
(Honda, 1954)

Le grand bleu
(Besson, 1988))

Gremlins
(Dante, 1984)

Harold and Maude
(Ashby, 1971)

Hellraiser
(Barker, 1987)

Heat
(Morrissey, 1972)

Hitch-Hiker
(Lupino, 1953)

I Walked with
a Zombie
(Tourneur, 1943)

Ichi the Killer
(Miike, 2001)

It’s a Wonderful Life (Capra, 1946)

Jailhouse Rock
(Thorpe, 1957)

La jetee
(Marker, 1963)

The Killer
(Woo, 1987)

King Kong
(Cooper, Schoedsack, 1933)

Koyaanisqatsi
(Reggio, 1982)

The Lord
of the Rings
(Jackson, 2001-2003)

Mad Max
(Miller, 1979)

Meet me in
St. Louis
(Minelli, 1944)

Mommie Dearest
(Perry, 1981)

Monthy Python
and the Holy Grail
(Jones, 1974)

Ms 45
(Ferrara, 1981)

Night of the Hunter
(Laughton, 1955)

Night of the
Living Dead
(Romero, 1968)

Once Upon a
Time in the West
(Leone, 1968)

Pandora’s Box
(Pabst, 1929)

Performance
(Roeg/Cammell, 1970)

Pink Flamingos
(Waters, 1972)

Plan 9 From
Outer Space
(Wood, 1959)

The Princess
Bride
(Reiner, 1987

Psycho
(Hitchcock, 1960)

Pulp Fiction
(Tarantino, 1994)

Quai des brumes
(Carne, 1938))

Raiders of the
Lost Ark
(Spielberg, 1981)

Re-animator
(Gordon, 1985)

Rebel Without
a Cause
(Ray, 1955)

Reefer Madness
(Le Gasnier, 1936)

Repo Man
(Cox, 1984)

Ringu
(Nakata, 1998)

Rock ‘n’ Roll
High School
(Arkush, 1979)

Rope
(Hitchcock, 1948)

The Rocky Horror
Picture Show
(Sharman, 1975)

Salo
(Pasolini, 1975)

Saw
(Wan, 2004)

Scanners
(Cronenberg, 1981)

Scorpio Rising
(Anger, 1963)

Seven Samurai
(Kurosawa, 1954)

The Shawshank
Redemption
(Darabont, 1994)

Showgirls
(Verhoeven, 1995)

Singing in the Rain
(Donen, 1952)

Sissi
(Marischka, 1955-57)

Sound of Music
(Wise, 1965)

Stranger Than
Paradise
(Jarmusch, 1984)

Superstar
(Haynes, 1987)

Tenebrae
(Argento, 1982)

The Texas
Chainsaw
Massacre
(Hooper, 1974)

This Is Spinal Tap
(Reiner, 1984)

Top Gun
(Scott, 1986)

Touch of Evil
(Welles, 1958)

Trainspotting
(Boyle, 1996)

Turkish Delight
(Verhoeven, 1973)

Vampyros Lesbos
(Franco, 1970)

Videodrome
(Cronenberg, 1983)

Warriors
(Hill, 1980)

The Wicker Man
(Hardy, 1973)

Willie Wonka
and the Chocolate
Factory
(Stuart, 1971)

Withnail and I
(Robinson, 1987)

The Wizard of Oz
(Fleming, 1939)

Les yeux
sans visage
(Franju, 1959)

Zero de conduite
(Vigo, 1933)